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Battle Cry was a favorite marching song of both the Union
and Confederate soldiers during the Civil War. This rousing
arrangement has two verses from each, with optional verses
original to the George R. Root text.
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This beautiful and reverent arrangement for women’s voices
incorporates ADESTE FIDELIS into the original text and
melody. Mild dissonance and rich, tightly woven harmonies add
color and depth to this moving anthem.
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This tender, gentle lullaby, written as if Mary were rocking
her newborn Son, is beautiful and extremely versatile. The
first three verses tell of her love for the tiny infant, the
shepherds’ visit, and the Magi’s gifts.
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This arrangement is a lively, ingenious medley of The Holly
and the Ivy, We Wish You A Merry Christmas, I Saw Three
Ships, Bring A Torch, and O Christmas Tree.
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A unique and appealing medley of six international carols.
Flute and piano open the music with a lively duet of the
Ukrainian Bell Carol and use motifs from this duet to bridge
from one carol to another.
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A majestic and inspiring arrangement of My Country ‘Tis of
Thee, for antiphonal choirs.
Bi-tonality, asymmetrical
meters and new text bring color and vitality to this
American classic hymn tune.
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Written to celebrate the bicentennial of Abraham Lincoln,
this five-movement cantata** honors Lincolnís great
accomplishments and remarkable influence in American
history.
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With Malice Toward None is an overture that moves quickly
through several quotes by and about Lincoln - "house
divided against itself cannot stand", "Captain, my captain,
rise up and hear the bells", "As I would not be a slave, so I would
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SATB divisi with soprano solo
The horn sounds the opening and closing notes of the second
movement, There Stood A Man, with a melodic motif echoed
by full choir. A quiet interlude by the horn and piano leads
into a lyrical ballad for soprano solo th
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An overwhelming cacophony of war opens the thrid movement. Each
voice part sings snippets of Dixie and Battle Hymn of the
Republic,harmonically juxtaposed upon each other, while the instruments are in tonal opposition. The Proclamation of Emancipat
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Capturing the profound essence of Lincoln's famous speech, The Gettysburg Addres, the movement opens with a fugal statement of
"Fourscore and seven years ago..." A much slower and
expressive section quotes, "We have come to dedicate a
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Based on the text taken from Lincoln's Second Inaugural Address, the final movement echoes the opening bars of the first
movement and transcends to a hopeful, hymn-like section.
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Commissioned in 2005 by Dr. Kenneth Martin, the text is based on the writings of St. John the Apostle. The theme of God’s love pervades throughout the cycle and the songs display many stylistic traits of contemporary music—shifting and asymmetrical meter
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Results 1 - 13 of 13