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Battle Cry was a favorite marching song of both the Union
and Confederate soldiers during the Civil War. This rousing
arrangement has two verses from each, with optional verses
original to the George R. Root text. The flute and
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This beautiful and reverent arrangement for women’s voices
incorporates ADESTE FIDELIS into the original text and
melody. Gentle dissonance and rich, close harmonies add
color and depth to this moving anthem. Suitabl
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This tender, gentle lullaby, written as if Mary were rocking
her newborn Son, is beautiful and extremely versatile. The
first three verses tell of her love for the tiny infant, the
shepherds’ visit, and the Magi’s gifts. Th
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This arrangement is a lively, ingenious medley of The Holly
and the Ivy, We Wish You A Merry Christmas, I Saw Three
Ships, Bring A Torch, and O Christmas Tree. The different
melodies dance in and around each other and occasionally
jux
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A unique and appealing medley of six international carols.
Flute and piano open the music with a lively duet of the
Ukrainian Bell Carol and use motifs from this duet to bridge
from one carol to another. Women’s and men’
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A majestic and inspiring arrangement of My Country ‘Tis of
Thee, for SATB antiphonal choirs. Bi-tonality, assymetrical
meters, and new text bring color and vitality to this
American classic. Narrator and antiphonal choir speak
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Written to celebrate the bicentennial of Abraham Lincoln,
this five-movement cantata** honors Lincolnís great
accomplishments and remarkable influence in American
history. With a skillful and sensitive blend of contemporary
and tr
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With Malice Toward None is an overture that moves quickly
through several quotes by and about Lincoln - "house
divided against itself cannot stand", "Captain, my captain",
"rise up and hear the bells", "As I would not be a slave, so I w
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SATB divisi with soprano solo
The horn sounds the opening and closing notes of the second
movement, There Stood A Man, with a melodic motif echoed
by full choir. A quiet interlude by the horn and piano leads
into a lyrical ballad for soprano solo th
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The third movement opens with the cacophony of war. Each
voice part sings snippets of Dixie and Battle Hymn of the
Republic, juxtaposed upon each other, while the instruments
are in tonal opposition. The Proclamation of Emancipation
is then quo
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The Gettysburg Address captures the essence of this famous
speech. The movement opens with a fugal statement of
"Fourscore and seven years ago...." A much slower and
expressive section quotes, "We have come to dedicate a
portion of
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The final movement echoes the opening bars of the first
movement, then moves to a hopeful, hymn-like section.
The text is taken from Lincolnís Second Inaugural Address.
The middle section has each voice part, each instrument, and
the
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Commissioned in 2005 by Dr. Kenneth Martin, the texts for these seven
songs come from the writings of St. John the Apostle. The theme of
God’s love pervades throughout the cycle. The songs display many
stylistic traits of
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